Sunday, February 15, 2009

Confessions of a reforming music snob.

Guess what time it is. Go ahead; I'll wait. It's like magic, that I'll get the urge to throw down in this stupid little writing space, and when I look at the clock it's almost always around the same time. Patterns and lines drawn in the sand, I guess; time has a way of looping back on itself and bringing us around to the symbols that matter.

I'm feeling a little pensive. I've written at length about music recently, but I've been talking like a reporter, updating a mostly non-existent audience about the comings and goings of my projects. I don't want to do that today, not at this time of day and certainly not on this particular day.

I have never understood how people can take music for granted. At times I'm even guilty of it myself -- you're at the mall or in someone else's car and a song comes on that you patently don't like. For me that can be a lot of different things, and it becomes a distraction -- an irritant -- something to be spat out and disposed of. What a crime on my part, and on yours.

Okay, so not every genre or artist is going to appeal to everyone; it's not supposed to and it doesn't have to. But being judgmental never got anybody anywhere. It bothers me to no end that people have such specific tropes in mind when they think of musical genres: the big one is "country". Apparently, digging country music bears the stigma of also owning a home on wheels, at least five belt buckles the size of dinner plates, enjoying huntin', drankin', and other things that end with apostrophes, and being married to an existing family member. What nonsense. Clearly, "country" is a genre label that is as broad and general as any other application of the word. I don't like a lot of what you might call the "new" country; Garth Brooks has never held any appeal to me, nor has Mr. Achey Breaky Heart -- you know, Hannah Montana's dad. But there are SO many other styles and subgenres (if you want to call them that) out there, it would be foolish and -- as I said -- borderline criminal for someone to paint with such a broad, misleading brush such a rich musical tradition full of genuinely talented artists. Translation: liking country doesn't make you a hick, and in fact you're the uneducated peon if you think Shania Twain is the alpha and omega of the genre.

But alas, I am obliged to swing a little mud my own way on this point. I have a slight tendency to be a little judgmental when it comes to music I deem unworthy or lacking in some way, and sometimes I'm right -- at least insofar as my own criteria are concerned. For example, if I say that a rap song praising the street credibility garnered through the purchase of a pair of "Air Force One's" lacks any semblance of inspired artistry from a songwriting perspective, I don't think too many people would disagree with me. That's not art: that's a shoe commercial, and I'm not interested in debating the nature of art as it relates to advertising -- Hendrix never had to defend his choice of bell bottoms in a song. It's NOT art. Sorry.

See what I mean about that judgmental streak?

But going forward I try (I really do) to see the bright side. Okay, does "Air Force One" say anything important? Not in the slightest. Does it have a danceable beat and is it catchy? I guess it is -- I don't dance, so I'm not an authority on what constitutes a danceable beat, but I am a musician and I know catchy when I hear it, and that song is catchy as all get-out. So in that respect, it fulfills its function in the musical pantheon -- let's face it, to paraphrase Brendan Fraser in Airheads, "Purple Haze" doesn't exactly have much to say either, lyrically speaking. Not everything has to be some kind of important statement or rich story; sometimes it's enough for a song to rock, or in this case I (begrudgingly) admit, it's enough for a song to groove.

I like to think of myself as being in self-imposed elitism therapy.

Then there are those musical genres that I don't necessarily dislike, I just don't get. The music makes no sense to my ear, and like so many of my forefathers who listened to the Beatles and heard only discordant clashing, I just can't wrap my head around the sound enough to make music out of it in my own head. It makes so little sense to me that I can't even properly label the genre(s?)...I've heard the terms "emo", "screamo", "scene", "post-punk" and a host of others bandied around, and I'm sure none of them are correct, but hopefully you get an idea of what I'm talking about. Like an elitist asshole I have listened to a lot of the better-known bands of this dubious genre and have in the past labeled it self-aggrandizing horseshit, full of middle-class white sorrow (read: self pity) mixed with pubescent rage against perceived authority establishments. Trite, immature nonsense, I figured.

Did I mention the part where this makes me an asshole?

Once again it's unfair of me to pass judgment on a host of musicians I only know peripherally, if at all. If I'm going to live the examined life, and definitely if I ever want to be taken seriously as a musician myself, I have to drop the pretentious bullshit (the same pretentious bullshit of which I'm accusing this entire genre) and do my research. As it turns out, there's more to the "emo/screamo/whatever" genre than I had originally allowed for -- big surprise. The genre is a wealth of incredibly talented technical guitar players, drummers, bassists, keyboard and MIDI players, turn table artists, and even singers and lyricists -- a fact I'd passed over because of the screaming (I can't always understand what lyrics are being...well, screamed) and the fact that many mainstream singers who actually sing seem kind of whiny to me. But for every sub-par Dashboard Confessional lookalike there's a tight, talented rock-influenced outfit like this one or a really surprising artist who's actually in line with some of what I do myself like this guy, and when I find out about them I feel like an even bigger prick for painting the entire genre with my dislike for what MTV tells me is representative of that music scene.

This is me, trying to stay real at 3am. I have a proclivity towards arrogance (as displayed by my use of words like "proclivity") but I try very, very hard not to let that affect the most important parts of my life that aren't people -- namely, the music (mine and yours). So I'm finally asking something of the folks who read this blog -- take a look at my profile if you don't already have a good idea what I'm about, see what I'm into musically and then educate me. Send me a suggestion or a link to something I've never heard of -- it can be in any genre, just tell me why it's cool and I'll check it out and probably write about my thoughts on it. Bonus points if it's you or a friend of yours -- I like to know musicians personally.

And since I haven't link-whored myself yet, for more information on what I do and why I'm so interested in not being critical of other people, check out my temporary music page on Facebook. I'm looking forward to hearing from you.

3 comments:

Adelaide said...

My all-time favourite contemporary musician is a Torontonian named Owen Pallett (band name Final Fantasy, but he's more popularly known for playing with Arcade Fire). I love his music because it's a lot of strings and orchestral stuff. It's stimulating to listen to. His concerts are cool too, because it's just him up there with a violin, a keyboard and this machine that loops back things he's played, and he just layers everything.

You can see some of his videos on YouTube:

http://www.youtube.com/watch?v=5pQl7kye_d8
http://www.youtube.com/watch?v=U1kL568eg1w
http://www.youtube.com/watch?v=IPZ3MMP985o

(Can't vouch for the quality of the videos, because I'm at work and can't hear them)

PS. Sometimes my friends and I like to do CD swaps where we just make a whole bunch of mixed CDs of whatever and trade them. It's a good way to get introduced to new stuff.

J.D said...

Funny you should post this, especially considering the conversation we had on Wednesday night.

This is the band that I mentioned to you – the ones who went from busking in TO to playing at Massey Hall thanks to the CBC. My dad played this particular song for me, and that was enough to get me hooked – and they sound better live than they do on their studio albums. I don’t know that Dala will be something that you’ll *really* enjoy, but at the very least, I’m sure you’ll appreciate them. (Wait, scratch that. Two attractive, talented, and slightly nerdy girls playing guitar? I figured it’d be a dream come true for you and Sean. ;) )

http://www.youtube.com/watch?v=_sULwpw6Whg

PS: If you do really enjoy them, they’re playing a show in TO in April. I’ll be seeing them in London around the same time.

Adelaide said...

Oh, and I second Dala. I went to high school with those girls!